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                       The beating heart of Irish music is, as it has been for 
                        centuries, the session. These informal music gatherings, 
                        where any and all can gather to play traditional tunes, 
                        have kept Irish music a social form at a time when most 
                        other folk styles exist almost exclusively on the professional 
                        concert stage, or in the privacy of people's homes. The 
                        Irish even have a word for the special fun of people sharing 
                        music together, craic.
                       More successfully than any band working today, Danú 
                        has transferred the unique social energy and convivial 
                        passion, the lively craic, of the session to the concert 
                        stage. Their wild spontaneity and breathtaking musical 
                        power have made them arguably the most in-demand touring 
                        band to emerge from Ireland in the past decade. The 
                        Boston Globe says "Danú is the Next Big Thing 
                        in Celtic music." 
                      With the release of their fiery and gorgeous new CD, 
                        The Road Less Travelled, Danú welcomes back founding 
                        guitarist Donal Clancy, and introduces stunning new vocalist 
                        Muireen Nic Amhlaoibh, from the Irish-speaking Aran Islands. 
                        Filling out the current ensemble are button accordionist 
                        Brendan McCarthy and bodhrán player-piper Donnchadh 
                        Gough, both from Waterford; flutist Tom Doorley and his 
                        bouzouki-fiddle playing brother Eamon Doorley of Dublin; 
                        and Donegal fiddler Oisín MacAuley. 
                      The new line-up promises to continue a career rise that 
                        is already the talk of the Celtic world. In 1999, Danú 
                        was named Best Overall Traditional Act by Irish Music 
                        Magazine. In 2002 BBC's vaunted Folk Music Awards named 
                        them the "best band of the year," and 
                        The Irish Herald dubbed Danú "the finest 
                        traditional band in Ireland." 
                      "The essence of that spontaneity you get jamming 
                        away at a really good session," says Tom Doorley, 
                        "that is where the heart of Danú comes from. 
                        We want to just consolidate that more, anchor down the 
                        sound into enough of an arrangement for a concert, and 
                        yet still have that energy of it being a little bit loose, 
                        so you can create more of a spark on stage, and each night 
                        becomes a different concert from the one before." 
                      The extent of their international success still comes 
                        as a bit of a surprise to the musicians themselves. After 
                        all, Danú was never intended to be a band at all. 
                        Their story plays like some merry old folk tale, about 
                        a few lads off on a summertime lark that turned into a 
                        life-transforming adventure. In 1995, a few long-time 
                        friends and session mates from County Waterford, including 
                        McCarthy and Clancy (son of the world-famous Clancy Brother 
                        Liam), heard they could go to the Lorient Inter-Celtic 
                        festival in Brittany if they appeared as a band. 
                      "The way we looked at it," McCarthy recalls 
                        now, "we were just going for a bit of a laugh; we 
                        weren't thinking about a band at all. But we needed to 
                        have a Celtic or Irish name to go as a group, so we picked 
                        Danú , after the mother of the ancient Irish gods." 
                      Along their way, just as it would go in a folk tale, 
                        they chanced to spend the night in Dublin, where they 
                        immediately made their way to the nearest session. There, 
                        they met the Doorley brothers, Tom and Eamon. They all 
                        hit it off so well, musically and personally, that the 
                        Waterford lads promised if they were ever asked back to 
                        Lorient, they would bring the Doorleys along. Well, of 
                        course, they were invited back, and they did bring the 
                        Doorleys. That second year, everyone began to notice that 
                        something special was happening on stage. The crowd loved 
                        them, and they won the new band competition. McCarthy 
                        says, "We were still just basically having a session 
                        on stage, but we kind of said, like, we must be doing 
                        okay with this Danú thing." Okay indeed. They 
                        were soon touring the world, the most highly touted Celtic 
                        band to emerge since Solas. But don't let their swashbuckling 
                        stage energy fool you into thinking this band is not deadly 
                        serious when it comes to the music they love. 
                      Donal Clancy is among the most in-demand guitarists anywhere 
                        in Celtic music. He has been a member of two of the most 
                        sophisticated and tightly arranged ensembles in Irish 
                        music history, the Eileen Ivers Band and Solas. He loves 
                        that approach to the music, but is equally passionate 
                        about the pure, improvisatory tack that Danú takes. 
                        And if anyone assumes there is anything slapped together 
                        about it, he begs to differ. 
                      "Anybody who would think that would be totally off 
                        the mark," Clancy says with a knowing chuckle. "When 
                        I joined up again, I really experienced that. It took 
                        me a long time to remember how much subtle arrangement 
                        is actually in there. We sometimes put new tunes in just 
                        to keep it fresh, and make sure nobody gets too tied down 
                        to really strict arrangement. There's more scope for improvising 
                        then. But I don't really mind if people think we're just 
                        a jam band, because that's what we're aiming for - to 
                        put caution to the wind and just play, and see where it 
                        goes.  
                        But there's a lot of thought that goes into doing that 
                        on the concert stage night after night." 
                      Just listen to the bold, bracing sound of McCarthy's 
                        accordion and McAuley's fiddle, which Earle Hitchner of 
                        the Irish Echo calls "one of the most potent one-two 
                        punches in Irish traditional music today." After 
                        feeling the raw, intense power of that, listen to the 
                        lapping counter melodies and dark-chocolate harmony lines 
                        the lads swirl around Muireann Nic Amhlaoibh's dusky vocals 
                        on Richard Thompson's Fairport Convention classic "Farewell, 
                        Farewell," and the wrenching American labourer's 
                        lament, "Peg and Awl." 
                      Nic Amhlaoibh replaces singer Ciaran O Gealbhain, and 
                        is every bit as promising a find. Her whisper-pretty mezzo 
                        may remind some of a young Dolores Keane, though her high 
                        sustains shimmer with the soprano purity of Mary Black 
                        or Cathie Ryan. 
                      The first woman to perform with Danú, she grew 
                        up on the Aran Islands and the west coast of Kerry, both 
                        regions where Irish is still spoken. It was her first 
                        language, as might be guessed by her hushed, naturalistic 
                        treatment of the Irish ballad "Raitachas na Tairngreacht." 
                        She was enchanted by the playful stage passions of Danú 
                        when she first heard them in the late '90s. She assumed, 
                        as so many fans do, that they were just cavorting away 
                        up there. Now that she's worked with the band, she's singing 
                        a slightly different tune. 
                      "I'd never seen anything like them on stage before; 
                        all I'd seen were older bands, not that much fun on stage. 
                        It's a bit more difficult for me to see that now, the 
                        way I did when I first heard them, because I've seen how 
                        much work goes into making sure that spontaneous energy 
                        happens every night. You can't just go up and jam away, 
                        you know; you do have to have a certain plan." 
                      Tom Doorley says of her, "She's been with us the 
                        last four months, and it's as if she's always been there. 
                        It's amazing how she's able to put up with six other fellows. 
                        And she's an amazing singer, got great strength and control." 
                        Then he adds, in what must surely be the supreme compliment 
                        from one Danú member to another, "And she 
                        gives it everything she has." 
                      For US bookings please visit 
                        the Fleming & Associates web site. 
                      An Irish Christmas With Danú
                      In anticipation of Danú's upcoming "An Irish Christmas with Danú," here are some downloadable mp3s for your listening enjoyment - along with comments from Danú's Benny McCarthy. Click on the link at the bottom to download them all in one compressed zip file. (To download a file instead of playing it, right-click it and choose to save it as...) 
                    Angels We Have Heard On High 
                    This is a very popular Christmas Song and is sang all over the world 
                    Boys Of Barr Na Sráide 
                    This is great traditional Irish song that talks about the Wren Boy tradition on St.Stephens Day, the day after Christmas Day. 
                    Christmas Polka Set 
                    Here is a set of polka a twist of Christmas. 
                    La Caoinle na N'Aingeal (Candle of Angels) 
                    This is a song that reflects on the beautiful tradition in Ireland to light a candle in the window as a sign of welcome. 
                    Oiche Chiun - Silent Night - Christmas Eve Reel 
                    Here is a well know Christmas sang in both Irish and English followed by a great reel entitled "Christmas Eve." 
                    The Wexford Carol 
                    The Wexford Carol is great traditional Irish Carol that celebrates the Christmas Story. 
                    All the above Danú Christmas selections in one Zip file 
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